"When I look at Abelardo Morell’s 'Camera Obscura: Night View of Philadelphia From Loews Hotel Room #3013,' I am touched by a multitude of realities. Transforming his hotel room into a pinhole camera, Morell produces an overlay image by letting light
“It has been 26 years since the opening of Chris Burden’s 1994 exhibition, ‘L.A.P.D. Uniforms,’ yet the deep significance of this work will always fall hardest on Black bodies. For a nation with a long history of racial violence towards Black America
"With the use of tear gas being indiscriminately deployed upon demonstrators protesting the deaths of George Floyd, Tony McDade, Ahmaud Arbery, and Breonna Taylor, the aftermath of this visual violence seeps into our bodies and homes, becoming a part
"Found objects often speak to our felt sense of reality, evoking powerful memories that inform how we perceive and relate to the world. Created as a site-specific work for the exhibition "Prison Sentences: The Prison as Site, The Prison as Subject" a
PRINT AS ENVIRONMENT: Jorge Pardo, Untitled, 1999. “As I spend more time at home, rooms I used to pass through now encapsulate my existence. In this close-up world, ordinary objects—like windowsills and creaky stairwells—appear beautiful, and I find
⁠"Imagine an alternate world where whimsical creatures are interlocked in an eternal battle between good and evil. At the center of this mythology are gentle Mounds, the plant-animal mutants that live in the forest and communicate through dreams. The
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The Fabric Workshop and Museum: As a gallery guide for a contemporary art institution, I would often bear witness to change happening at the individual level, observing visitors encountering their own identity through the prism of artwork. Today, I continue to be inspired by artistic landscapes that foster dialogue, introspection, and social change.